When it comes to a guitarist’s arsenal of sounds, arguably none is more crucial than their overdrive. In fact, if we were gambling folk, then we’d put money on the fact that this would be 99% of people’s desert island pedal.
Although there are 1000s of pedals out there, thankfully, most overdrive pedals derive from a small number of classic circuits. In this article, we're here to help you choose a new overdrive pedal, before sharing our ranking of the top 10 best in the UK on Gear4music, Amazon and eBay. From classics circuits, to newer experimentations, each one has it's own unique flavour. So read on to find out more!
Quick List - Top Overdrive Pedals
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Table of Contents
Before we dive into the products themselves, let’s take a moment to consider the different features available from the many pedals available online. In this section, we’ll look at the various types of overdrives, what to expect from the EQ channel and other physical features to think about when comparing your options.
The first thing to consider is the different types of overdrive, as each will have its own unique take on the sound. We’ve left out fuzz pedals this time, which could also have made it into this category. However, we have covered them in a separate article, so make sure to click the link if this is something you are interested in.
The tube screamer was released in the 70s and quickly became an instant hit with players. These types of overdrive pedals are renowned for giving a boost to the upper mid-range frequencies, which in turn helps players cut through the mix of a live band. For this reason, they can be not only be used to alter the tone, but also increase it.
They also help create a 'broken up' amplifier sound, without needing to turn it up too loud, which can be handy if you have neighbours to think about. From blues to metal, most players have a tube screamer in their signal chain. It’s worth remembering that while they might have a different name, all tube screamers are overdrive pedals, but not all overdrive pedals are tube screamers.
The purpose of an overdrive pedal is to imitate the sound of you turning up a valve amp as loud as it can go, at which point you’ll get an organic, natural grit. Unfortunately, most folks don’t have this option due to neighbours, plus it can be quite dangerous for the amp. Which is why many musicians turn to overdrive pedals.
An overdrive pedal will respond in the same way as these cranked amps. As they’re considered soft-clipping, it’s not going to offer an earth-shattering crunch. Instead, you’ll achieve a smooth dynamic sound. To get the best from an overdrive, you should play it through a valve amplifier.
Although distortion is a different beast altogether, it does still belong to the overdrive family. In a nutshell, you can expect a lot more aggression from a distortion pedal. Unlike overdrive pedals which mimic cranked amps, these will take the sound and manipulate it to create something that's totally its own.
With all the extra dirt and grit, distortion is a favourite of punk and metal bands as you can go from crunching rock to earth-shattering saturation, depending on what you want. Unlike the other styles, distortion is the least responsive, so no matter how hard you play, you’ll get similar tones.
The number of knobs and switches on the pedal is a good indicator of how much control you have over the sound. Unlike, modulation pedals (think delay, chorus etc.) which can have 10+ knobs, most overdrive pedals only have around 3 or 4.
These are usually some variation of volume, tone and distortion. While that might not sound like a lot, you can expect plenty of tonal variety in there. Some more modern pedals will even have soft or hard clipping options, so the pedal can jump from overdrive to distortion.
When it comes to having an overdrive in your signal chain, whether it's buffered or true bypass is all about personal preference. Some people like a buffered pedal placed last in their overdrive section, keeping the buffer away from the fuzz or drives, but before delays and reverbs. However, it can cloud the modulation.
Others will prefer true bypass as this completely clears the signal chain, so you don’t have to worry about sounds carrying over. In our opinion, we think having a few of each works best. That said, when it comes to choosing what and where, that’s the fun of building your own pedalboard!
If you’re not interested in building a large pedalboard, then you can likely skip this section entirely. If, however, you're collecting to build a board, then you’ll probably be realising quite how quickly space on there can fill up.
Thankfully, most overdrive pedals are on the more compact side of things, so they’re not going to be taking up too much space. That said, if space is already at a premium, then there are mini pedals that will still provide you with plenty of power, just without the size.
When deciding which pedal to add to your collection, make sure to check the dimensions to ensure it will fit nicely into your existing pedalboard.
If you’re a hobbyist or buying pedals to play in the house or studio, then the encasing isn’t so much of an issue as they won’t be going through too much rough and tumble. However, if you plan on getting out and playing gigs with your stompboxes, then your needs can be quite different.
Gig pedals will likely be stamped on, thrown in gig bags and generally not treated as delicately. If this sounds like you, then a metal enclosure is 100% the way to go. They’ll be heavier and cost more, but they’ll stand up better in the long run.
Finally, you'll need to think about how you’re going to power your pedals. Most usually come with the option of using either a 9V battery or 9V DC adapter plug. The plug is a little more reliable as it won’t cut out halfway through playing, nor will you need to buy them continually.
However, some people prefer batteries, believing they offer different tones, particularly when it isn’t at full power. If you would like to power your pedal via a battery, then it's worth remembering you won’t be able to purchase a mini pedal because an internal battery omitted to save space.
Products | Image | Click to purchase | Key features | |
---|---|---|---|---|
1 | Fulltone OCD V2 | ![]() | A Modern Classic | |
2 | Ibanez TS9 | ![]() | It's Only a Matter of Time Until You Own One | |
3 | Pro Co RAT 2 | ![]() | A Favourite of Many Famous Guitarists | |
4 | Earthquaker Plumes Small Signal Shredder Overdrive | ![]() | A Brilliant Boutique Pedal | |
5 | MXR CSP027 Timmy Overdrive | ![]() | One of the Best Transparent Overdrives Is Now Available to Everyone | |
6 | Electro Harmonix Soul Food | ![]() | As Close to the Klon Centaur as Many of Us Will Ever Come | |
7 | Maxon OD808 Overdrive | ![]() | From The Company That Built the Classic Tube Screamers | |
8 | Behringer OD300 Overdrive Distortion | ![]() | Tonal Quality Well Above Its Price Point | |
9 | Mooer Ultra Drive Distortion | ![]() | Smooth Distortion That Works Well With an Overdriven Amp | |
10 | Boss BD-2 Blues Driver | ![]() | A Versatile Pedal That Won't Break the Bank |
This offering from Fulltone might not have the reputation of some of the other pedals in our ranking, but that's because it is so young in comparison. Given time, we're confident that this will become just as fundamental to the overdrive pedal story as the ProCo, the TS9 and the many other classics.
With a soundscape ranging from classic rock to metal, and even hardcore, this stompbox provides cranked tones. What is impressive, however, is the amount of clarity that it maintains regardless of how you dial it in. Therefore, it's perfect for those new to experimenting with pedals, as well as those who have plenty of experience.
There was no way we could write an overdrive article and not include the famous TS9. You're likely to hear this tube screamer circuit every time you bang on Radio X, and it's many guitarists' first overdrive. There's no doubt that over the years they've tried others, but they often come back to where it all started.
It works as well on its own as it does stacked alongside other overdrives and was instrumental in moulding the late Stevie Ray Vaughan's signature sound. The chances are you'll buy one of these at some point, so it's not a question of if, more a question of when?
The ProCo RAT is a legendary pedal, and you don't get that reputation without being outstanding! Thankfully, the RAT 2 is a faithful recreation, and this distortion pedal can do it all, from clean boost to fuzz. Yeah, you heard that right, it can go all the way to fuzzy town.
While it provides a wide range of different tones, it excels when used for stadium rock, rhythm or lead tones. Moreover, this pedal has a long list of celebrity devotees, including guitarists such Graham Coxon, Alex Turner and even the nicest man in rock, Dave Grohl.
Earthquaker is one of the top boutique pedal manufacturers, so the fact that you can get hold of any of their pedals for this price is outstanding. Add to that the fantastic tonal range, and you're definitely on to a winner.
This pedal has three different clipping voices, which is plenty of headroom for supreme clarity and finely tuned tone control that sculpts the low end. We also appreciate the stylised enclosure, and from what we've heard, if you like how it looks, you'll love how it sounds!
MXR have teamed up with esteemed manufacturer Paul Cochrane to produce this custom, and much prized, transparent overdrive. Usually, getting hold of one of his Timmy pedals is a nightmare, as Paul builds them by hand one at a time. This collaboration allows more players to get their hands on the goods.
While transparent sounds don't add much, the subtleties of these pedals are what many people love about them. You see, stompboxes such as the Timmy can add a little gain to the signal, without distorting the original EQ. They've got much more in the tank too, including three different clipping modes that offer plenty of tonal flexibility.
If you've never heard of the Klon Centaur pedal, then we urge you to go and have a read on the internet before continuing on any further, you'll thank us for it! For those already in the know, you're probably aware that to get hold of one of those pedals, you'll likely need to sell everything you own.
Thankfully, Electro Harmonix has made an affordable clone that will get you similar tones, without the need to re-mortgage your house. Offering all the sounds from clean boost to fully-saturated distortion, this is a fantastic pedal for aficionados on a budget.
While many regard the Ibanez TS9 or TS808 to be the holy grail of tube screamers, it was Maxon who built them for the company from the 70s until the early 00s. Therefore, you can expect that their own take on this particular circuit is going to get you pretty close to that sound.
Packaged in the same colour enclosure as the Ibanez, the Maxon has three dials, each of which offers plenty of flexibility. That said, it is known to lose a little bit of clarity when the drive knob is pumped too high, so be wary of that.
Behringer is the name when it comes to finding quality tones at economical prices, and their OD300 is no different. With a 4-band EQ, this is a straightforward and easy-to-grasp pedal that punches well above its price bracket.
It might not provide the best sonics in the game, but that's not to say that this wouldn't be a welcome addition to many boards. Possibly consider this one as a stepping stone whilst saving money for other pedals, or for players who rarely use overdrive or distortion.
Capable of providing plenty of different sounds thanks to its toggle switch, which goes from original to ultra distortion, this offering from Mooer is a dependable piece of kit. Taking inspiration from the classic Boss DS-1, it has smooth distortion that works best when paired with an already overdriven amp.
This is a mini pedal, so is ideal for those looking to add another stage of overdrive to their pedalboard, without taking up too much space. It doesn't have quite the same amount of gain as other distortion pedals, so if you're looking for supersaturation, other offerings will likely work better.
Getting the ball rolling is the BD-2 from Boss. Now, just because this is propping up the ranking doesn't mean it's any less quality than the others. In truth, this is right up there with some of the best bits of gear in the biz and is a pedal that is favoured by players such as Paul Weller, John Mayer and even Tom Morello.
The circuitry is different from the rest of the Boss overdrive family, as this favours to boost the bass and the mids whilst lowering the treble, hence its name. It might not be for everyone, but if you're looking for something versatile for a decent price, this is as good a pedal as any.
Why limit yourself to the same old tones? Experimenting with guitar pedals is a great way to diversify your sound and expand your musical horizons. To help you decide whether you want to incorporate fuzz, reverb or delay next, we've got a few more articles to help you build the rig of your dreams!
No. 1: Fulltone|OCD V2
No. 2: Ibanez|TS9
No. 3: Pro Co|RAT 2
No. 4: Earthquaker|Plumes Small Signal Shredder Overdrive
No. 5: MXR|CSP027 Timmy Overdrive
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